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Warm Audio WA-47jr Large-Diaphragm FET Condenser Microphone - Nickel

Warm Audio WA-47jr Large-Diaphragm FET Condenser Microphone - Nickel
Warm Audio WA-47jr Large-Diaphragm FET Condenser Microphone - Nickel
Warm Audio WA-47jr Large-Diaphragm FET Condenser Microphone - Nickel
Warm Audio WA-47jr Large-Diaphragm FET Condenser Microphone - Nickel
Warm Audio WA-47jr Large-Diaphragm FET Condenser Microphone - Nickel
Warm Audio WA-47jr Large-Diaphragm FET Condenser Microphone - Nickel
Warm Audio WA-47jr Large-Diaphragm FET Condenser Microphone - Nickel
AED 1,098
  • Stock: In Stock
  • Model: WA-47JR FET
  • UPC: 713541493124

 You can use the WA-47jr on anything. It’s great on vocals, acoustic guitars, double bass, electric guitar and bass cabs, piano, drums and percussion, strings, brass, woodwinds, and any other source you’d care to throw at it. A large part of any microphone’s sound is contributed by its capsule. The complexity of the k47 capsule used in the WA-47jr requires a painstaking manufacturing process; such high quality is typically not found in affordable condenser mics. For Warm Audio, premium parts and meticulous design deliver a superior-sounding microphone — one that doesn’t cost a fortune. Stellar performance, top-shelf parts, and amazing value: that’s the Warm Audio formula — and the WA-47jr nails it. 

Compared to tube-based microphones, solid-state microphones like the Warm Audio WA-47jr are prized for their detailed sound and resistance to distortion. These are the reasons transformerless FET mics with a U47-style capsule are so popular on kick drums and other percussion instruments, capturing their power and intensity with amazing fidelity. So naturally, the WA-47jr shines on percussion. That said, it’s also a go-to choice for acoustic instruments where capturing fast transients is critical, and it should be on your short list of mics to audition on vocalists, electric guitar cabs, and a whole lot more. Perhaps the more pertinent question is: what isn’t it great on?

FEATURES

  • Fully discrete, transformerless signal path
  • Custom ’47-style k47 34mm gold-sputtered, dual-diaphragm, single–back plate, 6 micron Mylar capsule
  • Toshiba FETs, Wima film capacitors, Panasonic electrolytic capacitors
  • Cardioid, figure-8, and omnidirectional polar patterns
  • 10dB pad; 70Hz highpass filter
  • Self-noise: 9dBA
  • Dynamic range: 138dBA
  • Maximum SPL: 147/157dB (at 1kHz, 1 Kohm, 0.5% THD, 0/-10dB)
  • Frequency range: 20Hz–20kHz
  • Sensitivity: 10mV/Pa or -40dB
  • Output impedance: 100 ohms
  • Rated load impedance: ≥1 Kohm
  • Maximum output: 16dBu at 1kHz, 1 Kohm, 0.5% THD
Microphones (Condenser/ Dynamic/ Ribbon/ USB/ Shotgun)
Microphone Type FET Transformerless Condenser
Polar Pattern Cardioid, Figure-8, Omidirectional
Diaphragm Size Dual large diaphragm
Max SPL 147dB SPL, 157dB with pad
Output Impedance 100 ohms
Signal to Noise Ratio 85dB (A weighted)
Self Noise 9dB (A weighted)
Color Nickel
Connector XLR
Weight 1.1 lbs.
Dimensions 8.2" x 2.04"
Power Source 48V phantom power

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